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With music composed by Kentridge’s longtime collaborator, Philip Miller, it recounts a tale that begins with the myth of Perseus and ends with Einstein’s visionary findings.
In the role of the protagonist of his artworks, Kentridge appears to probe and question the ideas and processes of vision and creativity.
In its broad selection of materials and media, the show pays heed to the synergies between the artist’s visual art and stage work, in addition to the particular focal points and formalisations set out in each project.
UCLA’s Center for the Art of Performance presents two performances of William Kentridge’s .
Through a dialogue between the displayed artworks and the remarkable hospital setting, the exhibition presents art as a powerful means of ‘working through’ layers of history.
The artist also delivers , a lecture-performance at Bruges’ Concert Hall on 17 October.
Enough and More Than Enough (1 November – 19 March).